Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

May 27, 2015

Write and Live Forever (inspiration from ancient Egypt)

from Ancient Egyptian Literature, edited by Miriam Lichtheim

"As to those learned scribes,
Of the time that came after the gods,
They who foretold the future,
Their names have become everlasting,
While they departed, having finished their lives,
And all their kin are forgotten.

They did not make themselves tombs of copper,
With stelae of metal from heaven.
They knew not how to leave heirs,
Children to pronounce their names;
They made heirs fro themselves of books,
Of Instructions they had composed.

They gave themselves [the scroll as lector]-priest
The writing-board as loving son.
Instructions are their tombs,
The reed pen is their child,
The stone-surface their wife.
People great and small
Are given them as children,
For the scribe, he is their leader.

Their portals and mansions have crumbled,
Their ka-servants are [gone];
Their tombstones are covered with soil,
Their graves are forgotten.
Their name is pronounced over their books,
Which they made while they had being;
Good is the memory of their makers,
It is for ever and all time!

Be a scribe, take it to heart,
That your name become as theirs.
Better is a book than a graven stela,
Than a solid tomb-enclosure.
They act as chapels and tombs
In the heart of him who speaks their name;
Surely useful in the graveyard
Is a name in people's mouth!

Man decays, his corpse is dust,
All his kin have perished;
But a book makes him remembered
Through the mouth of its reciter.
Better is a book than a well-built house,
Than tomb-chapels in the westl
Better than a solid mansion,
Than a stela in the temple!


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January 17, 2009

Paris: Secularism Unveiled















I was in a false position everywhere, except within myself, where I was convinced I was telling the truth.
--A House At The Edge of Tears, Venus Khoury Ghata.

I was pretty excited to head to Paris after my Oman trip. I was invited by my friend Dinah, who was TA-ing a class on Immigration and Multiculturalism in Paris for the University of Illinois. The course was taught by a retired professor of French, Evelyne Accad, a Lebanese woman who has written about international women's issues.

The class did not disappoint. From discussing polygamy and the French state to civil war in Lebanon to the issue of female genital mutiliation, I learned a lot and was able to make some interesting observations about French culture and society at the same time.

Disclaimer: I do not speak French. Therefore everything I learned (with the exception of the bits of French I picked up) was through English translation or talks in English. That said, I don't think it made a difference in some of the observations I am about to make.

Its wierd because I had the impression that the French were more progressive than Americans on the whole, but I have to say this is both a stereotype in which Americans associate everything French with being 'cultured' and a factor that depends on the particular French community one is referring to. For instance, it is true that students tend to be more activist, more politically aware, more cosmopolitian (Most students learn at least three languages) than their American counterparts. Having visited several French schools I feel I am on safe ground saying that.

However France illustrates some of the strange contradictions of secular society-- its particular blind spots that are often intimately linked to a strong sense of national and even racial identity (the so-called Gaullic exceptionalism). Nowhere is this contradiction more aptly symbolized than the banning of headscarves in the classroom of public schools. (ironically Turkey, a majority Muslim country, is facing its own version of this secular quandary). Here is where the rubber of religion's removal from the 'public sphere' meets the road of individual freedom. French efforts to promote the growth of the French state and to reify 'Frenchness' is not a project that can tolerate a multiplicity of identities, and is thus at odds with French notions of 'pluralism'. And that explains why not only are headscarves banned, but the call to prayer (اذان) as well.

Obama notwithstanding (I have a feeling a lot of my sentences are going to begin with that from here on out), America has never really resolved this conflict in practice either. For example, witness the powerful pull of the ignorant and racist 'English-only' educational movement. I guess my philosophy would be that, social movements that emphasize a particular aspect of identity are inevitable, especially enlight of forming social movements against powerfully entrenched interests of global corporations, powerful nation-states, and the like. Nevertheless, the insistence on one's single identity inevitably falsifys the richness of everyone's historical reality.

My own observation is that France has a stronger tradition of anthropologizing the 'other', in the sense of making outside cultures a subject of study for consumption by exotic-o-philes. Walking through an exhibit on matriarchy in Africa I had this feeling, and it was accentuated gazing at the innumerable artifacts stolen from the tombs of Pharaonic Egypt in the Louvre. It was a feeling similar to the one I had walking through the Indian Museum in Washington DC a couple years ago: like an eerie sense of displacement and invasion. I felt as if I walking through someone's most intimate personal belongings that had been put out at a common garage sale.

One highlight of the trip (other than my birthday :)) was reading a trio of great books by Lebanese Christian women and getting to meet two of the authors. We read Evelyne Accad's The Excised, Etel Adnan's Sitt Marie Rose, and Venus Khoury-Ghata's A House At The Edge of Tears. All three are very lyrical meditations on religion and growing up, war, beauty, violence, and sexuality. From Khoury-Ghata's book, I learned that apparently some Arabs of the Levant, Swahili is a derisive term for nonsense or baby talk. For me Dr. Accad's book was the most personally evocative, while Sitt Marie Rose is the most innovative in terms of narrative structure and voice. I will end with a meditation from that book, a tribute and affirmation of life in the midst of war-torn Beirut:

"Morality is violence. An invisible violence at first. Love is a supreme violence, hidden deep in the darkness of our atoms. When a stream flows into a river, it's love and its violence. When a cloud loses itself in the sky, it's a marriage. When the roots of a tree split open a rock it's the movement of life. When the sea rises and falls back only to rise again, it's the process of history. When a man and a woman find each other in the silence of the night, it's the beginning of the end of the tribe's power, and death itself becomes a challenge to the ascendancy of the group."

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