Showing posts with label Uganda. Show all posts
Showing posts with label Uganda. Show all posts

November 4, 2015

Public Healing Monotheism and Violence: The Religious Encounter in African History

a Mijikenda sacred grove in East Africa

The various teachers of precolonial African history I've had the privilege to learn from all emphasize that “public healing” is a useful descriptive to understand how a variety of people in Africa understood the connected realm that Western scholars separate into religion and politics. Public healing in Africa symbolized and symbolizes the collective aspiration for harmony, social reproduction and abundance. Public healing was about healing the political-social body. One of my mentors calls this dynamic discourse of public healing “a moral aspiration for community.” And it is very very old. For instance, if you go back and look at the identity of the earliest dynasty in Great Lakes history, the progenitor to all the subsequent kingdoms, that dynasty is not really a dynasty at all, but a coalition of healers, mystics and wisemen called the Cwezi.

Till today, the Cwezi continue to be venerated, as what some might label as gods, or perhaps more accurately, ancestors or spirits. In some places in the Great Lakes region, the place where this veneration happened was a territorial shrine. In 1996, the Ugandan journalist Geoffrey Kamali described a fleet of seven taxis filled with people who left Kampala in the middle of the night following an “ancestor guide”, someone who had the ability to communicate with these spirits. They sought a shrine on a hilltop outside Kampala, a place with many caves. They brought cash and coffee berries to give to the omusambwa of that place, the territorial spirit. During the fire, some people became possessed by the spirits and the ancestor guide moved through the fire without being burned. Afterwards she took the people to the shores of Lake Victoria, where she tattooed their right arms and asked them to confess their sins to her and swallow several of the coffee berries.

The Great Lakes experience is not unique. Similar kinds of shrines exist at the East African coast. The Giriama are one group among the Mijikenda, a people who have lived near the Swahili coast for many centuries. In the precolonial era, they most often lived in rural areas adjacent to the coastal towns. They had their own forms of sacred enclosures/shrines in the form of groves of trees, called kayas. In 1914, the British, in response to Giriama resistance to British colonial taxation and labor policies, demolished one of these sacred groves. The main trees and gates were blown up, all the dwellings and trees inside the kaya burned, and the entrance dynamited and barricaded. This prompted a rebellion by the Giriama, in which 5000 houses were burnt and 150 men killed. Harming religious-political space touched to the core of Giriama conceptions of the good and the sacred.

Nor where such sacred shrines confined to the continent of Africa. They were also found throughout "Arabia" both before and after the arrival of Islam, and constituted an important part of how people related to the divinity. When we think of the ka'aba, we usually think of a place in Mecca, but a ka'aba could potentially be any sacred place where people would gather to seek intercession. It was a plural religious space, where violence was forbidden. This is not to say that people always respected these boundaries, but there were rules elaborated about coexisting sacred spheres.

For monotheistic visions of divinity, public healing can look a lot like polytheism, paganism or shirk. Where it gets controversial for African and Islamic history is when the Prophet Muhammad is directly implicated in the destruction of such sacred places. Hisham Ibn al-Kalbi, the famous Kufan scholar, in his book Kitaab-ul-asnam, reports the following passage:
"When the Apostle of God captured Mecca and the Arabs embraced Islam, among the delegates who came to pay their homage was Jarir ibn-'Abdullah. He came to the Apostle and embraced Islam before him. Thereupon the Apostle addressed him saying, "O Jarir! Wilt thou not rid me of dhu-al-Khalasah?" Jarir replied, "Yea." So the Apostle dispatched him to destroy it. He set out until he got to the banu-Abmas of the Bajilah [tribe] and with them he proceeded to dhu-al-Khalasah. There he was met by the men… who resisted him and attempted to defend dhu-al-Khalasah. He, therefore, fought them and killed a hundred men of the Bahilah, its custodians, and many of the Khath'am; while of the banu-Qubafah ibn-'Amir ibn-Khath'am, he killed two hundred. Having defeated them and forced them into flight, he demolished the building which stood over dhu-al-Khalasah and set it on fire." 
This incident is also in Sahih al-Bukhari :
"During the Jahiliya, there was a house called Dhu-l-Khalasa or Al-Ka'ba Al-Yamaniya or Al-Ka'ba Ash-Shamiya. The Prophet said to me, "Won't you relieve me from Dhu-l-Khalasa?" So I set out with one-hundred-and-fifty riders, and we dismantled it and killed whoever was present there. Then I came to the Prophet and informed him, and he invoked good upon us and Al-Ahmas." 

Keep in mind here, we are talking about the destruction of a very similar type of shrine to that of the Cwezi shrines or the Giriama sacred groves. In fact, Dhu al-Khalasa was simply a carved piece of white quartz, resting in a place called the ka’aba by the local people who tended it. People used to come to this shrine when faced with difficult decisions and seek advice. It was sacred to those people, as showed by their determination to defend it.

The above incident raises several uncomfortable questions for the Islamic tradition and, beyond that for all monotheistic traditions. What is the difference between ancestor veneration and idolatry, and who gets to decide what that difference is? What are the limitations of the concept of toleration in dealing with the religious other? How does monotheism construct its other? I wonder if we regard the Prophet Muhammad’s need to destroy other people’s holy objects as a form of necessary evil on the way to monotheism. Were the tribes and the men a form of collateral damage in the march of the progress of the deen?

Forms of ancestor veneration and spirit possession have been a nearly universal part of all cultures and civilizations. The ancient Egyptians venerated ancestors, through a panoply of shrines, gods, idols, statues, figurines. One wonders however, if the ancient Egyptians worshipped their gods as a community in Mecca under the Prophet, would they have been regarded as rank idolators? I don't know the answer, but the above incident made me think about the likelihood that their buildings and shrines would have been burnt down and destroyed under those circumstances.

I would suggest that we need to interrogate the epistemological assumptions at the root of 1) the categorical move to create people whose beliefs place them beyond the sacred law, and thus in natural rebellion 2) the logic that makes it necessary to kill hundreds of men, simply to destroy an idol, and the moral calculus that makes figuring that possible. More is at work here than mere “Arab ethnocentrism” or “Arab racism” versus “African” religion. In fact what is at work is a profound devaluation of other forms of epistemology, cosmology and meaning making about the sacred in Africa.

For Muslims, the Prophet Muhammad is understandably the moral exemplar of a virtuous life. This is not an attack on the Prophet. As a human, he was truly great, a man who rose above the times he lived in. As a prophet, he was no doubt inspired. As a political leader he often dealt with difficult situations with the greatest sensitivity to human personality. But on the coexistence of monotheism with what we understand as “polytheism”, paganism, shirk, or iconoclasm, I believe the overwhelming historical evidence doesn’t support the way he linked polytheism to disobedience to the one God.

The great scholar of religion Talal Asad has done much work denaturalizing the secular, as something that the West created to help it imagine itself as civilized, and those still stuck in religious orthodoxy as barbarous. In fact, Asad and his many students have said and have demonstrated that secularism created religion, as a category with which to consign forms of non-rational belief. But Asad and his students have not gone far enough. Just as Euro-Americans have had difficulty recognizing that their experience of the Enlightenment was particular to their cultural and historical trajectory and its categories, so the Abrahamic traditions have had incredible difficulties recognizing the particularity of their own experience of universal religion. It would be interesting to get Asad's thoughts on how the Abrahamic faiths have created a category of shirk or polytheism,  filled it with a host of negative, immoral meanings which do not correspond to what we actually find in the historical record, and then constructed themselves in distinction to it. This process of meaning making has had profoundly tragic consequences for non-monotheistic aspirations for moral community and divinity.

I do not think these anecodetes exhaust the possible entailments of Islam, Muslims or Islamic epistemologies. But they do highlight the degree to which force, conquest and a deliberate violence, both epistemological and literal are part of attempts to secure a particular tradition as sacrosanct. How do we avoid linking the sacred with a concept of governing exclusion? In reforming society a prophet has to participate in public life, in the affairs and concerns of the many, rather than in the cultivation of the one. The prophetic has to combine the ethical with the political. As the philosopher Muhammad Iqbal describes it, the Prophet returns: ‘to insert himself into the sweep of time with a view to control the forces of history, and thereby create a fresh world of ideals.’ To make a "fresh world of ideals" is a political act; the creation of a world is inherently political. But such a world cannot be sustained, if it continues to instantiate such a profound disregard for epistemologies that do not share in the logocentric assumptions of the dominant Abrahamic religions.

Finally, I want to suggest that we not be so quick to justify the Prophet’s actions above as necessary or divinely inspired. By apologizing for them, we create a direct connection to imagining and modeling the type of world we want to create, support and live in. If we as scholars of Islam want to challenge the rhetoric of ISIS and Salafism, if we want to imagine a world where we create enough room for “other ways of knowing”, for traditions which challenge the narrow technocratic ways of knowing of the modern world, and its attendant domination over nature, then we cannot afford to ignore some acts of profound violence and disrespect of other ways of knowing, at the root of ‘our’ tradition. In reckoning with these acts, I think we will be led into new definitions of tawhid, in which we are not so quick to think that we know the difference between tawhid and shirk. Inshallah, that will lead us into a profound humility and care in our encounter with the religious other.

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March 15, 2012

Pambazuka - The downside of the Kony 2012 video

If you live in the United States, you've probably heard about Kony 2012. I am curious to know more about how readers of this blog outside the US respond to the Kony video. I watched a powerful Youtube response from Ugandan journalist Rose Kagumire that raised many important points. I invite readers to watch "Kony 2012" and Rose's response, and then make your own decision.


The video itself is powerfully shot and edited, but its message is incredibly problematic. Kony 2012's message is: If only we (US citizens) could mobilize enough pressure to convince certain powerbrokers, they could take steps to eliminate Kony, and then things in northern Uganda would return to normal. You can google the many critical responses to this "white savior" mentality. Mahmood Mamdani makes an essential point in the following piece: that further militarizing an already over-militarized conflict will not solve the problem.

Pambazuka - The downside of the Kony 2012 video

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November 12, 2010

East African Hip Hop and Black Internationalism


Mwenda Ntarnagwi’s talk at Northwestern University on Monday Oct. 25, 2010 reminded me of another similarly engaged work of scholarship: Gerald Horne’s book “Mau Mau in Harlem”. Horne devotes a significant section of the book to Malcolm’s linkage of the revolutionary black struggle in America during the 1960s with the Land and Freedom Armies of Kenya (the so-called “Mau Mau”) who retreated into the highland forests and engaged in guerilla warfare against white settlers and their black collaborators. The ideological nodes connecting these diverse expressions of liberation have given birth to the term “black internationalism” in the extant historical literature.

Ntarangwi drew our attention to other points on this node in his talk on “Globalization, Hip Hop and Youth Agency in East Africa”. Drawing on stories of survival and livelihood amidst the fallout from World Bank and IMF programs of neo-liberal structural adjustment, Ntarangwi detailed how economic liberalization in East Africa created both severe socio-economic dislocation and the opportunity to access Western pop culture on newly unprecedented levels through circulated tapes and videos of hip hop films such as “Breaking 2” and the music of Michael Jackson and other eighties and nineties African American pop stars. Hip hop was part of a whole generation of youths’ attempts to craft an East African modernity in response to chronic underemployment, the movement of immigrants into new economic niches, and newly available communication technologies—a situation, Ntarangwi pointed out, not unlike the conditions which gave birth to hip hop in the South Bronx.

Ntarangwi played samples of the song “Uhiki” or “Wedding” by the Kenyan artist Hardstone, featuring rapping in Kikuyu over a sample of Marvin Gaye’s “Sexual Healing” and Swaleh Jay’s remix of “Ice Ice Baby” in Swahili, which itself infamously sampled Queen and “Under Pressure” by David Bowie and Queen. “Under Pressure” was released only a year before “Sexual Healing”, thus revealing some of the hybrid geneaologies of hip hop in East Africa and its emergence out of 80s and 90s American popular cultural forms.

Hip hop in East Africa, according to Ntarangwi, is a particular mode of youth political expression that emerged to allow African youth to become more active participants in culture making and astute critics of the political order by making sounds and messages from global black culture part of their local cultural repertoires. For example, in crafting a political approach to their music, groups like Kalamashaka in Kenya explicitly reappropriated the sights and sounds of African liberationists through the lens of black internationalism.
In their song “Ni Wakati” Kalamashaka sample Malcolm’s famous speech “Message to the Grassroots”, which speaks of Mau Mau as “black revolutionaries in Africa”. In Kenya, where the Mau Mau fighters were not even acknowledged as part of the force which helped to liberate Kenya after independence, and where their protests over land were met with silence and marginalization, Kalamashaka’s songs and messages were an important part of rehabilitating the image and message of Mau Mau fighters. In contrast to the neocolonial collaboration of Kenya’s ruling class, the Mau Mau symbolized to Kalamashaka the same values that politically conscious East African hip hop embodied—speaking from the margins, witnessing truth to power, and calling for a radical return to social justice and redistribution of wealth as well as access to education.

Another important node in East African hip hop’s links to black internationalism and the black diaspora goes through the Black Panthers. In 1969, Pete O’Neal, the chairman of the Kansas City Chapter of the Black Panther Party was arrested for allegedly transporting a gun across state lines. O’Neal resolved not to become another victim of FBI director J. Edgar Hoover’s covert and illegal war against the Panthers and fled to Algeria and then Tanzania with his wife Charlotte. In Arusha, Tanzania, they founded the United African Alliance Community Center in the spirit of Black Panther activism, offering food, education and services to the community free of charge. In 2008, while visiting with a group of students from Howard University, we recorded a song in UAACC’s homemade studio with a producer/emcee who Pete and Charlotte have helped to nurture. The Center, I learned, also has a close relationship with Kalamashaka (now known as Ukoo Flani), and has nurtured the talent of Tanzanian singer Nakaaya Sumari, who was at one point married to M1 (they have since separated). Nakaaya met M1 while working on “Mr. Politician”, her popular critique of vote-seeking vultures in East Africa.

Ntarangwi played several other hip hop critiques of corrupt politicians. In Tanzania, where President Jakaya Kikwete also appears poised to win re-election despite critiques that he made extravagant campaign promises, the relevance of Tanzanian rapper Profesa Jay’s critique of Tanzanian politics is especially germane. In “Ndio Mzee” (Yes Sir) and its follow up “Kikao Cha Dharura” (Emergency Meeting) Profesa Jay sketches a political speech made by an aspiring office-seeker in which he promises, among other things, to end poverty, establish schools on the moon, and give every member of the police force a helicopter. In the followup song, the politician finds himself confronted by his constituents post-election and is forced to back track on many of his promises. For instance, he has done research he says, and “its quite cold on the moon, and plus I hear Osama bin Laden has camps there.” He ends by promising to fix everything, if only his constituents will elect him again.

The conversation after the talk ranged far and wide. Professor D, a Ph.D. student in African American studies at Northwestern, and a member of the African hip hop working group, asked Ntarangwi to clarify his use of the term ‘youth’ and his use of the term ‘hip hop.’ From there, discussion ranged over East African b-boys and b-girls, how to model being a ‘hip hop scholar’ on the continent, and the various local genres of hip hop expression in Kenya, Uganda and Tanzania. Fittingly, the night ended with a two hour knowledge cipher at Giordanos with two young Chicago emcee/poets, myself, Professor D and Ntarangwi. The conversation ranged from Kanye’s latest release to Illuminati and the New World Order. In convening these spaces at Northwestern throughout the year, under the auspices of the African hip hop project, our goal more than anything is to create the energy and impetus for these kinds of dialogues that give young people a chance to see themselves as nodes on this transnational network of the “global hip hop imaginary”. I appreciate Professor Ntarangwi for making it possible through his scholarship. If you’re interested in reading more, you can buy the book here.

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September 29, 2010

Call For Papers: Reframing Knowledge Production on 1970s Uganda*

Edgar Curtis Taylor
edgarjac@umich.edu


*CFP: Reframing Knowledge Production on 1970s Uganda*
February 5, 2011; University of Michigan, Ann Arbor, MI
Hosted by the African History and Anthropology Workshop

Scholars of Africa regularly cast Uganda in the 1970s as a
transitional period in the country's history as well as a symbol of
Africa's postcolonial ruination and failed struggle for cultural and
economic independence. Transnational mythologies of Idi Amin in film,
music, and literature have produced a rich, if highly questionable,
body of knowledge on his rule. However, the 1970s have produced
remarkably little scholarly consensus. Scholars struggle to move
beyond worn-out chronologies and seemingly contradictory
generalizations of social fragmentation, state collapse, and economic
decline alongside cultural self-assertion, national pride, and
economic empowerment. This state of affairs can be partly attributed
to the assumed dearth of written sources for this period (though the
recent openings of personal and government records in Uganda and Great
Britain are exciting developments). It may also be related to
scholars' difficulty reckoning with the ideological potency of the
1970s in contemporary political discourse, as activists of all sorts
seek to draw contrasts or parallels between their situation and a
constructed past.

However, Ugandans had remarkably diverse experiences in and of the
1970s that they have documented, commemorated, and remembered in
different ways. Recent work has shown that the 1970s saw novel
opportunities for Ugandans to re-imagine gender relations, conjure
political constituencies, develop trading networks, and reframe racial
knowledge. These works have equally shown the challenges Ugandans
faced toward such ends as well as the violence that characterized so
many spheres of social life during these years. Likewise, Ugandans
have constructed the 1970s as an object of knowledge through a
multiplicity of forms that contribute to an array of competing
historical projects.

This conference will consider creative work Ugandans have pursued in
and on the 1970s. We welcome papers from faculty and graduate
students that examine issues pertinent to this important period,
including those that may not be strictly bounded temporally or
geographically to 1970s Uganda but that consider how we have come to
know about this decade. Scholars from all disciplines and those
working across disciplinary boundaries are encouraged to apply.

Please submit a one page abstract by November 8th to
. (Include your name, email, and institutional
affiliation). We may have funds available to assist graduate student
presenters with travel expenses. Please indicate whether you would
like to be considered for travel assistance.

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August 5, 2010

Book Review: "East African Hip Hop"


I feel embarassed saying how much I enjoyed this new book from anthropologist Mwenda Ntarangwi. It is not only a delight to read, it is that rare academic book that encourages the hungry reader to search for more information on the topic. Its chronicle of emerging forms of creativity and resistance among youth in East Africa is both inspiring and accessible. Ntarangwi sees local forms of "hip hop" emerging among youth in East Africa as both reflective of global processses of American cultural influence, and at the same time critical of the forces of economic globalization eroding the social and economic outlook of the masses of East African youth. He writes in the Preface, "Rather than seeing hip hop as a completely new cultural phenomenon in East Africa, one is better off seeing it as a window into the culture of change in East Africa's political, economic and social realities created by local and global processes."

Ntarangwi divides his book into five chapters, each dealing with a different aspect of hip hop's social impact in East Africa. Chapters' one and two discuss globalization and hip hop music. Chapter three is a discussion of gender and hip hop. Chapter four explores economic privatization and its impact on the livelihoods of East Africans. Chapter 5 is about hip hop and HIV/AIDS, and in Chapter 6 Ntarangwi offers some concluding remarks. This is not a straightforward history, but an ethnography of hip hop's social influence in Kenya, Uganda, and Tanzania.

Two things I especially loved about the book: 1) The way in which Ntarangwi centers each chapter around a song, song lyric, or artist that exemplifies his theme. 2) The stories which give a human face to his ethnography and show him wrestling with various dilemmas as an anthropologist in the field.

I've posted videos from East Africa's burgeoning hip hop scene before on this blog, and it seems to be enjoying a growing global spotlight. As I write this, the famous Tanzanian artist Profesa Jay is embarking on a US tour. Other big name Tanzanian and Kenyan hip hop artists have embarked on international tours. But instead of focusing on the "bongo flava" side of East African hip hop--the sugary sweet commercial R&B side to the scene--Ntarangwi focuses on lyricists like Profesa Jay and Ukoo Flani, whose social critique have earned them devoted fans but perhaps less in the way of commercial accolade. As a Prof. Jay fan, I particularly enjoyed Ntarangwi's analysis of Prof. Jay's "Ndio Mzee" (Yes, Elder), a brilliant send up of politicians and their empty promises, and its followup "Kikao cha Dharura" (Emergency Meeting), where the politician who had earlier made such extravagant vows is forced to retract them, stating that the people have unrealistic expectations of luxury. Ntarangwi takes the song apart to show how Profesa Jay critiques local corruption in the state machinery, while remaining aware how these local structures are caught up and in many cases dependent on a global structure of economic dependence.

I anticipate this book will become required reading in many an African Cultural Anthropology class, but it is also a valuable addition to the Hip Hop Studies canon. Furthermore, its clear and readable prose could be a great entryway for high school and college students to talk about issues of cultural and economic globalization through a discussion of hip hop lyrics. Hip hop provides a cultural vantage point that will enhance the local relevance of the discussion for many students, while at the same time making them aware that hip hop is no longer just an American phenomenon but part of a group of interlocking and overlapping global processes that affect their lives in important ways.

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February 22, 2010

Kiswahili in Uganda

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February 16, 2010

Babaluka (Uganda)

Babaluku (Bataka Squad): Obuntubulamu [Official Video w/ English Subtitles] from Nomadic Wax on Vimeo.

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September 1, 2009

Ugandans Serve as Private Mercenaries in Iraq

Corporate globalization gone haywire

UGANDA/IRAQ: Why 10,000 Ugandans are eagerly serving in Iraq

by Max Delany, Christian Science Monitor
March 6th, 2009

Under a relentless equatorial sun and the gaze of her Zimbabwean instructor, Juliet Kituye quickly reassembles her AK-47. Next to her, a young man in a ripped red T-shirt discharges imaginary rounds at an invisible target.

On a disused soccer pitch in the suburbs of the Ugandan capital, Kampala, 300 hopefuls are being put through rudimentary firearms training. Many of the recruits are raw and their drills occasionally lurch towards slapstick. One trainee lets the magazine slip out of his automatic rifle and onto the red earth, someone else about turns right instead of left. All of them share the same dream, however: going to Iraq.

As President Barack Obama announces plans to withdraw US troops from Iraq, thousands of young Ugandans are increasingly desperate to be sent to the war-torn country. Already, the Ugandan government says there are more than 10,000 men and women from this poverty-stricken East African nation working as private security guards in Iraq. Hired out to multibillion-dollar companies for hundreds of dollars a month, they risk their lives seeking fortunes protecting US Army bases, airports, and oil firms.

The war in Iraq is the most privatized conflict in history. Since the invasion in 2003, the US Department of Defense has doled out contracts worth an estimated $100 billion to private firms. Covering a vast range of services from catering to dry cleaning to security, one in every five dollars the US spends in Iraq ends up in the pockets of the contractors, according to a report by the Congressional Budget Office. Increasingly these jobs have been outsourced to developing countries.

It is clear why the US contractors came to Uganda. As an impoverished former British colony, the country is awash with unemployed and English-speaking potential recruits. Its pliant government was an early member of President Bush's "coalition of the willing," and with a lingering 20-year insurgency, it also has a glut of experienced army veterans, who made up the initial contingent of Ugandans in Iraq.

More important, hiring Ugandans is cheap. Since the first Ugandans were sent to Iraq in late 2005, competition from other developing countries in Africa and the Indian subcontinent has seen the government cut the minimum wage from $1,300 to $600 a month. That compares with the $15,000 that one industry insider estimated an American guard could make each month. Nevertheless, competition is fierce, and for those Ugandans who land a job, Iraq can prove a bonanza.

Paul Mugabe is back in Uganda for a month. For the past year, the sinewy, nervous young man has been guarding the American Camp Diamondback at the airport in the northern Iraqi town of Mosul, and soon he will be heading to Baghdad.

"It's not like Uganda. You sweat and sweat and sweat," says Mr. Mugabe, a former soldier in the Ugandan Army. "It is the most dangerous place in the world. It's even worse than Congo."

With the money he's earned during those 12 months, back in his village Mugabe has built himself two houses, bought a bar, and increased the herd of cows his father left him to 30.

"You should see the size of my banana plantation," he smiles. When he returns from another year in Iraq, he should have saved enough money to cover a wedding and the traditional bride price needed to find a pretty wife, he says.

But despite his nascent business empire and hopes of love, the fact that he is putting his life on the line to help US companies make massive profits is not lost on him. "If I am earning $600 a month and these companies are making billions, it is not fair," he says.

For Uganda, however, another country's war on a continent far away has proved to be lucrative. "The Iraq opportunity brings in about $90 million dollars, whereas our chief export, which is coffee, brings in around $60 or $70 million a year," says the former state minister for labor, employment, and industrial relations, Mwesigwa Rukutana, now minister of higher education. That figure is mostly made up of remittances.

But domestic criticism has been fierce, with some equating the system to human trafficking or slavery. Reports of abuse, ranging from poor conditions and changeable contracts to sexual assault, have appeared in the media.

"Unlike in the past when there was the slave trade, no company comes here and recruits anyone against their wishes. It is willing worker, willing employer," Mr. Rukutana says. "If anyone thinks the conditions there are bad or that he is going to be exploited, no one is compelling him to go." Rukutana says that only one Ugandan has been killed in Iraq, while others say more have died.

If anyone understands some of the hardships of working in Iraq and the industry it's spawned, then it is Moses Matsiko. Mr. Matsiko has spent nearly four years working for a US firm in Afghanistan and Iraq. In late 2006, a convoy he was escorting through the town of Fallujah was ambushed. He was shot seven times but survived. Two American colleagues he was with were killed.

But far from shy away from the dangers of Iraq, Matsiko has embraced its opportunities. In 2007, he started his own company to train and send guards to Iraq and now has over 1,200 in the country.

"My experience in Iraq is that despite having been shot seven times, it is very great," he says. President Obama's withdrawal plans have cast a shadow of doubt over his future business plans. But that has just forced Matsiko to start looking opportunities elsewhere.

"If all goes well, then I hope to be sending people to Afghanistan in the near future," he smiles.

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